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Douglas Cooper (art historian)
(Arthur William) Douglas Cooper, who also published as Douglas Lord〔(''Cooper, Douglas''. ) In: ''Dictionary of Art Historians'', retrieved 13 August 2010.〕〔John Richardson: (Remembering Douglas Cooper. ) In: The New York Review of Books, retrieved 13 August 2010.〕 (20 February 1911 – 1 April 1984)〔‘(COOPER, (Arthur William) Douglas )’, Who Was Who, A & C Black, 1920–2008; online edn, Oxford University Press, Dec 2007 , accessed 24 Aug 2010.〕 was a British art historian, art critic and art collector. He mainly collected Cubist works.
==Background==
Early in the 19th century, Cooper's forebears had emigrated to Australia and acquired great wealth, in particular property in Sydney. His great-grandfather became a member of the New South Wales legislature and was the first Speaker of the new Legislative Assembly in 1856. He was made a baronet in 1863 (Sir Daniel Cooper of Woollahra) and spent his time both in Australia and England, eventually settling permanently in England, and dying in London. His son and grandson also lived there and sold their Australian property in the 1920s, very much to Douglas's annoyance.
Douglas's mother came from old-established English aristocracy. His biographer and longtime partner John Richardson considered his suffering from the social exclusion of his family by his countrymen to be a defining characteristic of his friend,clarify explaining in particular his Anglophobia.〔〔John Richardson: ''(Obituary )'', The Burlington Magazine, Vol. 127, No. 985 (Apr. 1985), pp. 228+230-231, retrieved 13 August 2010〕〔Even in 2006, Frank Whitford calls him, in the review mentioned below, ''Australian'' in contrast to the ''British'' Roland Penrose.〕 Cooper never visited Australia and proposed that he might have been conceived there during the honeymoon of his parents.〔John Richardson: ''The Sorcerer's Apprentice.'', p. 19〕
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